And, rather than wasting time extolling the benefits of shooting Log, I'll simply suggest you go read Stu's excellent post over at Prolost full of pragmatic wisdom like: QuickTime support is more-or-less ubiquitous these days and, while LogC support is somewhat hit-or-miss (more on that later), it's possible to take QuickTime Alexa footage through a post pipeline without ever applying a LUT. At a data rate of 1591 Mb/s, we'll suck up ~716Gb for every hour of footage we shoot. When I have a choice, my preferred camera is the Alexa Mini, shooting UHD (3840x2160) ProRes 4444XQ LogC. The beginning of the post-production pipeline is the camera and format selected for the project. Apple Compressor v3.5.3 – Final Encodes.
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